Friday, 9 June 2017

Evaluation



I chose to present my work in the form of a performance. I chose a performance as my method of presentation because I felt because Snarky Puppy also have live performances and there is more of a atmosphere created by the players and the audience, rather than recording which takes away the authenticity of live sound. When performing you get a physical response from the audience that gives you feedback from the audience and the music. The audience participation with claps and cheers at the end of my performance indicated the enjoyment of the audience. In jazz tradition, there are sections in songs dedicated to an improvised solo. This changes every time the song is performed live which gives the audience something new every time. 

The biggest challenge that I faced was planning realistically. Meaning, in my first timeline, I underestimated how much time it would take me to transcribe everything. This had then given me a limited amount of time to practice as a group which then hindered it from being so much better than it was. I have diverted from my original plan due to underestimating how much time it took to transcribe. Because of this, I’ve had to decrease the medley from 5 songs to 3. 
Working with other people was a main part of my project. I needed to work with other musicians to complete my end product which was a performance. The way I organised everyone was to work on sections individually. For example, I worked with bass and drums first, then saxophone and then guitar. This was easiest because the musicians that I used learnt music better by memory instead of by music scores. I feel like I completed all the work that I needed to do. However, I spent more time on transcribing than anything else which made the performance side of my project lack clarity. 

In my EXP, I encountered organisational and practical problems.  Theoretically I could have transcribed five songs to put into a medley however, by the time I realised how long it would take to transcribed each song I came up with the conclusion that the thirteen weeks that I had to complete my project would not be long enough. By my mid point presentation I  cut it from 4 and then to 3 to ensure that we were able to give enough time to each song to make sure it was of a good enough standard to perform. Doing five would not have given me enough time to practice because the songs are challenging and complex there would not been enough time to perfect the timing and play with confidence.

Key techniques that I have learned since starting this project is learning how other musicians learn best. For example whether i show them how to play the music or give them a score of the music. This worked well for me since the musicians i used preferred to learn by ear. which makes it easier for me because this is the same way I learn music. Reading a score is much more straightforward because it is there rather than playing by ear.

As well as developing performing skills, one of the key areas of this project  was understanding how to arrange for the instruments in my band. When giving music to the musicians, I needed to understand the way in which the instruments that we used operate. This involved some sessions with the players to understand the instruments and the performers' physical imitations. I also had to research some areas of music theory that were relatively new to me. Concert pitch was an area that I researched in my project because I needed a better understanding of transposing instruments work because I had saxophone player in my band. This was useful for the method I used to teach the saxophonist the music. When I gave the score to the saxophonist I had to ensure that the key was the same for the other members of the band.  When playing a melody on the piano and calling out notes I needed to recognise that the notes I was playing were not the same notes that the saxophone would be playing. Even though I researched concert pitch, I was not able to use my knowledge effectively because I had not grasp the concept of this to the extent where I would confidently transpose the notes. 

Practical skills I have improved on is being the music director. Taking charge of rehearsals making sure that songs are played correctly by stopping and reflecting on what was playing and instructing the players how it needs to be played. For example sure that there are dynamics played in the right places of the song e.g. in the beginning of Shofukan.  

My key areas of research are transcription and arrangement skills. in researching transcription skills  I learnt how to transcribing easier by recognising that it was the most common way to transcribe. My research was mainly practical based to know the songs well enough to be able to transcribe as closely  and accurate to the original song. In my research around arrangement skills I learnt how to change the instrumentation used in the original songs to work with the instruments and musicians that I had available e.g. in Lingus, there were three guitars used in the original song. Each playing different things like playing a main melody to carrying the underlying cords. However, I didn't have that many guitarists that I could use so I had to even out the parts to the instruments I had like the keyboard. 

When doing research I feel that I have completed sufficient research. However, I feel that I did not research do as much academically as I did in my practical research. I found harder to research as I could not find anything relevant to my project. Because of the nature of my project, I spent most of the time doing practical research which was backed up by some academic research but not as much as I would of like to have done.
As I am going to study music performance in university I feel that it is important for me to have transcription and arrangement skills as I feel it would play a big part in my studies and career.

In conclusion, I am happy with the my project that I had put together because I was able to achieve a project that was highly demanding. By completing this project, I was able to improve myself as a musician. The areas that I improved on was my organisation skills when working in a band. As a performer, this was one of the hardest performance and I was able to put together 3 songs that were very ambitious.  




Friday, 2 June 2017

Bibliography

Your bibliography

  • ARRANGING MUSIC TIPS

    In-text: ("Arranging Music Tips")
    Your Bibliography: "Arranging Music Tips". Haydockmusic.com. N.p., 2017. Web. 2 June 2017.

  • Book

    COROZINE, V.

    Mel Bay presents arranging music for the real world

    In-text: (Corozine)
    Your Bibliography: Corozine, Vince. Mel Bay Presents Arranging Music For The Real World. 1st ed. Pacific, MO: Mel Bay, 2002. Print.
  • Website

    D., A.

    The Music Arranging Secret: Put your instrument down! | Musical U

    In-text: (D.)
    Your Bibliography: D., Andree-Ann. "The Music Arranging Secret: Put Your Instrument Down! | Musical U". Musical U. N.p., 2017. Web. 2 June 2017.
  • Website

    LINGUS

    In-text: ("Lingus")
    Your Bibliography: "Lingus". MuseScore.com. N.p., 2017. Web. 2 June 2017.
  • Website

    LINGUS BY SNARKY PUPPY - THEORYTAB

    In-text: ("Lingus By Snarky Puppy - Theorytab")
    Your Bibliography: "Lingus By Snarky Puppy - Theorytab". Hooktheory.com. N.p., 2017. Web. 2 June 2017.

Friday, 19 May 2017

Week 12


Since this was the week before the Gig, I had needed to practice with my band before Friday since that was the day all performances had to be finished for it to be put in the show. However, I hadn't been able to do a full practice with everyone there which showed in the practice on Friday.




I think that it was very noticeable that it was much harder know the counts of everything once we practiced all together. However, everyone knows the structure and what they need to play but I think that wasn't shown well since it's different from practicing with one other person, to practicing as a group.

Friday, 12 May 2017

Week 11

This week I was working with the guitarist to go through some of the main riffs,  e.g. guitar solo in Lingus, the beginning of Outlier, that would be important in certain songs.  




I think that because Jack is able to pick up music quite quickly, it helped as we were able to move on to new material quicker. However, I do think that we didn't spend enough time on articulation and timing but I was more concerned about him knowing the notes more than knowing the exact timing for the time being.

Friday, 5 May 2017

Week 10

Week 10 

Since there are 3 weeks left, I’m starting to feel like I won’t be able to finish what I wanted to do because of the short time I have left and the time its taken to transcribe.

To sort out this problem, I need to make deadlines for me to meet to achieve my goal. 

Things I need to do: 

- Go through particular riffs with the guitarist, e.g. guitar solo in Lingus 
- Make sure the timing on the horn lines are correct 
- Finish transcribing 
- Have a group rehearsal 

Thursday, 27 April 2017

Week 9

Week 9 Progress Report 


My target for this week are to finish transcribing the horn lines. 

I was working on Lingus and Outlier this week. When transcribing, I found it hard to distinguish every note clearly and accurately so I used a tool called flex in logic to help me to be precise when transcribing. It then made it easier to transcribe because this tool allows the tempo and pitch of any audio to be altered. In turn, I lowered the tempo and put certain sections on loop to because it was a much easier process to undertake.




I also worked on articulation, choosing the registers and phrasing with the sax line. At that moment in time, a baritone sax was what we could work with for now. At first I thought that baritone sax would be best to use, however I realised that the register of the baritone was too low for the register that the song was composed in. It would also blend in with the bass which is not a good thing since the horn line is one of the main melodies. 



The only thing about logic is that when playing and recording midi along to the audio, it's in time with the audio but not in time with logic itself 






I think this practice was good in terms of people have learnt exactly what they need to play. However, some of the phrasing wasn't correct which then slightly changes the feel of that sax solo. The phrasing is really important as some notes meant to played in gaps and also in unison with the bass line and drums. To make this better, I think we just need to listen to the original more and to play along to it until we get the phrasing and timing right then try without the original. 

Friday, 21 April 2017

Week 8

This week, I was working on my mid point presentation.






From my presentation, I have realised that I haven't followed my original plan that I had made at the beginning of my project which I think is fine, however I feel like I am behind of where I would want to be. To achieve my goal, I need to strictly structure the next few weeks.

Monday, 17 April 2017

Mid Point Presentation

Half way through this project,  I did a mid point presentation to receive feedback and guidance explain what my project is, what I have done and why and what I plan to do next. From the questions I was asked, I gathered that I need to distinguish what i'm using for arrangement and what I'm using for transcribing as it seems like I was using Logic for both transcribing and arrangement. Also, what exactly my areas of research are and how would I find this information. 





Friday, 14 April 2017

Week 6 & 7


This week, I decided that I needed to trim down my medley because I would not have enough time to transcribe and learn all 5 songs. So, I removed What About Me because I felt like it was the most challenging out of all of them which would require more time to be spent on that song. Now, I only have Celebrity, Lingus, Outlier and Shofukan in the medley.




Thursday, 13 April 2017

Case study - Lingus

Case Study 

the in-depth analysis of the harmonic melodic and rhythmic elements of Lingus as seen through the roles of individual instruments. 


In Lingus, The instruments that are used are trumpets, saxophones, guitars, bass, synths, drums and percussion. To understand Lingus to a better understanding, its necessary to know the structure.

Structure; Intro | A (0:11) | B (0:48) | C (1:02) | A2 (1:20)  | B2 (1:58) | C2 (2:30) | D(improv) (2:49) | E (improv) (4:17)




Horns - the horns sections mainly consist of trumpets and saxophones. Since there isn't the use of vocals, the horn sections take the role of the main melody. This role is shared with the bass line mainly in the A section but the main focus is on the horns section. There are some moments where they play in harmony but the majority is played in unison which make that certain melody more prominent. They play using the E pentatonic scale.

Keys - the keys have multiple roles. The opening piano rhythmic motif is played as an underlying rhythm throughout the intro and section A. This then allows the bass line and the horns line be more centre. In section B, the piano really does carry the chord structure which allows the guitar riff to be forefront.

Guitar -  In Lingus, the guitar plays infrequently however, it contains carries some of the key melodic lines like in Section B. This melodic motif then gets repeated and also replicated by the horns. which then becomes the main melody in section C2. 

Bass -  In the beginning of the song and the ‘verse’, the bass line plays the main counter melody along with the horns. I think this is a crucial part of the verse since this is the melody/ rhythm that the horns revolve around. (almost as a pre curser). The synths also follow the bass line giving it more texture and pronounces the bass line more giving it more of a lead role which wouldn't really happen in an r&b or pop song. 

Percussion and Drums  - They both carry the 5/4 rhythm which changes from half time in section A to double time in section B. It adds texture where needed and adds dynamics. For example, in section E, the drums and percussion increase in depth and complexity.  







Friday, 31 March 2017

Week 5


Week 5 




This week I started to transcribe the bass line of Lingus. I started with the bass line because I thought it was the most prominent instrument that I could hear and easily transcribe by ear. I haven't yet chosen the exact part of the song that I want to use but I know that I would want to include that part that I have transcribed. I did have some difficulty so I went online and used a score that someone else had transcribe and had cross checked what I had transcribed to what was online. This helped in some ways because I was able to join what I had heard to the score. 

 https://musescore.com/user/346036/scores/686076

Case Study - Outlier


Case Study 


The in-depth analysis of the harmonic melodic and rhythmic elements of Outlier as seen through the roles of individual instruments. 

In Outlier, there are 4 main motifs that get repeated more than once. 1st Motif 0:00 | 2nd Motif 1:07 | 3rd Motif 2:00| 4th Motif 5:53| 

Structure 

Intro | A | B | A1 | C | A2 | B2 | C2 | D 




Horns - In Outlier, the horns section is one of the key features along with the guitar and the synth keys. They play a pre written solo in section 

Keys -  The keys doesn't have many leading lines like other instruments. It mainly plays the chord structure which enables other instruments to have lead roles.  

Guitar - the guitar carries the riff that happens throughout most of the song, which also gives the same role as chords on a keyboard. It gives the harmony and aids the chord structure which comes in later on. The guitar also take some lead roles, for example there are riffs/ counter melodies that correspond with some of the horn and synth lines. (0:40)

Bass - the bass is played on a moog keybass but still give that sound of a bass but with added effects. The bass line follows the guitar line which gives that repeating phrase  

Drums and Percussion - Provides crucial fills to indicate the next section. The complexity changes the the feel of that sections. For example, during the sax solo, the drums are only there to keep the pulse with the added pushes to express the phrasing. 

Monday, 27 March 2017

Literature Review


Arranging Music for the Real World - Vince Corozine

In this book, Corozine explains that arrangement differs due to the difference in orchestration because of the different compositional skills used from each person. He goes on to say that arrangement is giving music the variety that it doesn't already have. It's also taught me that when arranging, you should be able to "combine elements of harmony, counterpoint and musical form ". This tells me that you need to have a range of skills and knowledge be be able to add different elements to the music correctly. This book has helped me because it has given me a real definition of arrangement  




Friday, 24 March 2017

Week 4


This week I worked on the rhythmic aspects of Outlier.  I worked out that Outlier is composed in 3/4 but is played in a bar of 5. Playing in this time signature would be straightforward until the sax solo when certain notes are either pushed or pulled.




This is me counting over the original to show where each count lies in that solo.

Friday, 17 March 2017

Week 3

Week 3, Progress Report 

My aim was to come up with 5 songs that I would like to include into the medley and to think about how I would go about arranging it.  They all come from the album We Like It Here, apart from Celebrity which is from Bring Us The Bright.




I picked these songs based on;
- the instruments that were used and if I would be have enough musicians to fill these roles
-the complexity of the song
-whether or not each song is feasible with in the time frame. 




The songs I would like to include are;




Lingus - I chose Lingus because it is one of their most famous songs and the song I usually think of when Snarky Puppy comes to mind. I found that the melodies were simple for example, the bass line and horn line. However, the song is composed in 5/4 which then changes into 4/4 which would be challenging since it's not a common time signature. 

Celebrity -  This song was chosen because of its simple but complex groove due to the 7/4 time signature. The melodies were also simple. I also liked the fact that there was a synth and sax solo throughout the song. I thought that this would fit well because of the simplicity compared to the other songs I would want to include. 
                                                            
Shofukan - I feel like out all five that this song has the most dynamics. It does include stringed instruments such as a cello which I wouldn't be able to have for my performance, so I will include a section thats doesn't include a cello. 

Outlier - I picked Outlier because of its time signature. It's in 3/4 and is played in a bar of 5 this make it rhythmically complex, especially when it gets to the sax solo. Its also one of my favourite songs from the album which I think will help me transcribe and play since I'm very familiar with the song. 
                                                           
What About Me? - I mainly liked that the guitars were the leading instrument in this song which was different from the rest of my choices. 


I downloaded the audio of every song and transferred them to Logic. I felt that using Logic would be the best software to use as a transcription device because I would be able to manipulate the audio to make it easy for me e.g. change to tempo so I would be able to distinguish every note. This particularly comes in handy went working out this horns or bass line. 

Thursday, 9 March 2017

EXP Proposal

EXP Proposal 

My Aim - To arrange a medley of 5 Snarky Puppy songs which will be performed at the end of year gig. 

For my project, I will be putting together a medley of 5 Snarky Puppy songs. I will be exploring how modern technology affects arrangements. My aim is to successfully arrange these songs and perform it live in the final performance. 

 I have chosen to focus on this area because I feel like this will be able to extend my knowledge in arrangement and in transcription skills. I picked arrangement because I was Interested in the way songs were structured. I have got my interest from steel pans and from band rehearsals. 
I feel that this is relevant because when working in a band and covering songs you need to have some skills in arrangement to make these songs different and individual to the groups sound. I also think that needing transcription skills is relevant because it will become helpful when needing to know what is being played.

- Areas of research 

My areas of research are how modern technology affects arrangement and transcription skills. I would find this research from doing practical research such as band practices or individual practices and also online and in books.

- Methodology 

My overall aim is to perform my arrangement. I will do this by either;

Do pre production on Logic - transcribe and arrange first then learn from the logic file I would of given the musicians beforehand.

Live arrangement - transcribe everything first on logic then to do a live arrangements during practices so this would mean that I would give the players the music beforehand and make the arrangement as I go along

Create a sound world with instruments - i would create the exact sound on each individual instrument that I would want to use then learn the songs by ear during practices 



- Timeline 



Monday 
Tuesday 
Wednesday  
Thursday  
Friday 
WEEK 1  

27th Feb – 6th March 


Proposal  




WEEK 2  

6th March – 10th March 


Transcribing Lingus 





Possibly teach some content  
WEEK 3  

13th March – 17th March 


Transcribing Outlier 




WEEK 4  

20th March – 24th March 


Transcribing Celebrity  




WEEK 5  

27th March – 31st March 
MARKING WEEK 
Transcribing  Shofukan  
MARKING WEEK 
MARKING WEEK  

East Kent College/ ICMP Visit  
MARKING WEEK 
WEEK 6  

3rd April  7th April  
SPRING BREAK 

Transcribing What About Me 
SPRING BREAK 

SPRING BREAK 

SPRING BREAK 

SPRING BREAK 

WEEK  7 

10th April  14th April  
SPRING BREAK 

Reaserch 

SPRING BREAK 

SPRING BREAK 

SPRING BREAK 

SPRING BREAK 

WEEK 8  

17th April  21st April  
SPRING BREAK 

Make the arrangement  
SPRING BREAK 




WEEK 9 

24th April  28th April  

Give the logic files/ scores to each musician 




WEEK 10  

1st May 5th  May   
BANK HOLIDAY 

Rehearsal of Lingus 

Rehearsal of What About Me  
WEEK 11  

8th May 12th  May   

Rehearsal of Celebrity  

Rehearsal of Shofukan  
Rehearsal of Outlier  
WEEK 12 

15th May 19th  May   


PRO SHOWS 
PRO SHOWS 
Run through 
WEEK 13 

22nd May 26 th  May   

L2 MUSIC SHOW 
L3 YR1 MUSIC SHOW 
L3 YR2 MUSIC SHOW